$Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, a group/couple, a vehicle, or a specific object) along with their spatial relationships and interactions.
Generate a coherent 3x3 “contact sheet” grid that shows 9 different shots of these subjects in the same environment.
You must adapt standard cinematic shot types to fit the content (for example, keep the group together if it’s a group; include the whole object if it’s an object):
Row 1 (Establishing the environment):
Extreme Long Shot (ELS): The subject appears small within a vast environment.
Long Shot (LS): The subject or group is fully visible from top to bottom (head to toe / wheels to roof).
Medium Long Shot (American shot / three-quarter): Framed from above the knees for people, or a 3/4 view for objects.
Row 2 (Core coverage):
4. Medium Shot (MS): Framed from the waist up (or the central core of an object), focusing on interaction/action.
5. Medium Close-Up (MCU): Framed from the chest up. An intimate framing of the main subject.
6. Close-Up (CU): Tight framing on the face or the “front” of the object.
Row 3 (Details and angles):
7. Extreme Close-Up (ECU): Strong focus on micro details of key features (eyes, hands, logos, textures).
8. Low Angle Shot (worm’s-eye view): Looking up at the subject from the ground (dramatic/heroic feel).
9. High Angle Shot (bird’s-eye view): Looking down on the subject from above.
Ensure strict consistency: across all 9 panels, the same person/object, same clothing, and same lighting. Depth of field should vary realistically (with background blur in close-ups).
A professional 3x3 cinematic storyboard grid with 9 panels.
The grid presents the specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full view, 3/4 crop (above the knees).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photorealistic textures, consistent cinematic color grading, and correct composition for the number and type of subjects or objects analyzed.